Artifact

I created this hoax to defend myself from potential bodily harm on a tour of Sweden, playing concertina.

I created this hoax to defend myself from potential bodily harm on a tour of Sweden, playing concertina.

In the early 1990s I fell into a certain “company” of Scandinavian musicians in Seattle. Bleak as that may sound, it was an enjoyable few years in which I learned many things about the requirements of playing a hambo or polska. Most of the musicians were fiddlers, and they were taught by my girlfriend of the time, who was an expert in her field. As I wanted to play along, I brought out my wooden flute, made by my old friend Casey Burns, and I found that I was able to keep up with many of the melodies. But eventually I braved bringing out my English concertina, my main instrument at the time. Learning the tunes on the concertina was no problem for me. I just had to learn how to blend in to the ensemble sound.

Eventually, Skandia Folkdance Society was invited to tour a number of folk festivals in Sweden. Consensus in the group was that whoever wanted to go on the trip should be taken along, even if they couldn’t afford the trip. I couldn’t. Working as a beginning teacher in those days I routinely finished the month with less than thirty dollars in my bank accounts. I am eternally grateful that the society helped me buy my ticket so I could go along that summer. But I worried a little about bringing a concertina to those places of rigid tradition in Scandinavian dance.

It didn’t help when a Swedish concertina enthusiast I met in Stockholm marveled at my boldness. “They’ll kill you,” he quietly predicted.

Luckily I had done my research. Or, rather, I had done some artificing. If ever I were challenged about the authenticity of playing a squeezebox for Swedish traditional dancing, I would flash the button shown above. You can plainly see that this Viking era dragon is playing a squeezebox, perhaps even a concertina! I worked for hours to perfect the drawing that I later made into the button.

I need not have worried. Not only did I survive unscathed, but the Swedish concertina enthusiasts had me over for spaghetti (or some other traditional Swedish meal) and we had a good time. One big fellow tore the sweatshirt off his back and gave it to me. It had a rendering of a tattered horse’s head (of the English Morris Dance variety) and the words Eken Morris Dancers. Eken was apparently an old name for Stockholm. I still wear that shirt on cool evenings and I still smile about that evening when a bunch of unrooted folk enthusiasts shared some time and tales together.

Later during the trip I happened to find a poster of a painting of a May Day celebration. The painting, by a famous Swedish artist, dated from around 1880. The procession was packed with dancers in their traditional drakt, hauling a huge May Day tree to the site of their dance. At the head of the procession was a young dancer providing the music. He was playing a concertina.

The Customary Celebration on Lower Crab Creek

The remains of Oscar Danielson's irrigation pipes lead to his fields and ditches from the site of the Danielson dam.

The remains of Oscar Danielson’s irrigation pipes lead to his fields and ditches from the site of the Danielson dam.

In a previous post I published a photograph of swimmers perched on the top rail of the irrigation dam Oscar Danielson built to draw water out of the community canal. This canal redirected some of the flow from Crab Creek towards a number of farms or orchards west of the watercourse. Around 1920 Oscar purchased surplus wire-wrapped wooden water pipes from the city of Seattle to tap into the canal, pumping water from the reservoir behind his wooden dam. His single-stroke gas engine is still hidden in the weeds near the ranch he later occupied on the banks of Lower Crab Creek.

Oscar Danielson on his Crab Creek farm in Grant County, WA, circa 1920

Oscar Danielson mows hay in a field watered by the pipes leading from the Danielson dam. The photograph is probably from the latter half of the 1920s.

The swimmers were part of a larger crowd gathered at the dam for a Fourth of July celebration. It was a custom amongst the farmers and ranchers Continue reading

The Day the Mountain Came to Town

The view of Mount Saint Helens from the summit of Mount Adams on July 4, 1976.

The view of Mount Saint Helens from the summit of Mount Adams on July 4, 1976.

On the 200th anniversary of our country’s birth my cousin Dale and I joined one of the last mass climbs of Mount Adams in south-central Washington. I left from work on the Friday afternoon, drove to Yakima to pick him up, and we went to a campground outside Trout Lake to spend the night. Of course the excitement and the noise of all the other campers kept us awake all night. I don’t remember getting any sleep at all.

We were rousted out for the climb around 3:00 in the morning. We received some orientation and instructions and lined up to begin the climb. One of the instructions was to stay in line and not to pass those ahead of us. We were young and strong. Many of those ahead of us were neither, so the temptation  to violate that rule was strong.

We reached tree-line just before dawn, and that morning provided one of the most spectacular views I will ever see. We watched the ghostly pale peak of Mount Saint Helens emerge from the night, turning raspberry pink, then dazzling white. Before it erupted, Saint Helens was nearly perfectly symmetrical. As we strapped on our crampons and struggled to keep our places in line, we watched Mount Saint Helens in the distance, a graceful and beautiful mountain that later proved to be powerful and dangerous. Continue reading

Fu-Go, or How Geologists Fought off the Japanese Attack on North America, although the Threat Remains

The tail of an unexploded Japanese balloon bomb protrudes above the mossy forest floor near Lumy, British Columbia.

The tail of an unexploded Japanese balloon bomb protrudes above the mossy forest floor near Lumby, British Columbia. This photograph is courtesy of Infonews.ca, which published a story about the bomb on October 10, 2014.

On November 3, 1944, the Imperial Japanese Army attacked North America, and they did it from three Honshu beachheads. It was on that date that the first of some 9,000 balloons, fitted with incendiary and high explosive bombs on a three-day timer, were lofted into the recently-discovered jet stream. The innovative form of aggression spread dangerous explosives across a huge swath of North American territory, from Alaska to Mexico, from the Pacific Coast to Detroit, Michigan. Fewer than 250 of these balloons have been accounted for, although an estimated 1,ooo balloons may have made it across the Pacific. While most of the 9,000 probably failed to reach American shores, those that made the crossing and went undiscovered might still pose risks to the unsuspecting.

Foresters working near Lumby, British Columbia, made the most recent discovery of unexploded Japanese bombs in October of last year. Hikers and people who work in wild places should be wary of undiscovered explosives from these balloons.

When Japanese balloon bombs, known as Fu-Go to their makers, first began to arrive in America, authorities mistakenly thought that the devices were being launched from submarines surfacing near our coasts or that they had been built in Prisoner-of-War camps along the coast. Continue reading

A Little Music for the New Year

The late, beloved Goku, inspiration for my tune, Spotted Cat.

The late, beloved Goku, inspiration for my tune, Spotted Cat.

I’ve spent the past few days reworking some of the music I’ve written over the past thirty years as a concertina and whistle player. Some tunes were also composed on the fiddle. The way the folk process works, some of these contain hints of melodies from other tunes. While I’ve copyrighted all of them, I’m putting the tunes out here for anyone to use, especially as they were written to be danced to.

To hear these tunes, you should download Easy ABC, a free music composition program available online. Copy my music, including the header, and paste it into the window labeled ABC Code. Then click on the play arrow to hear the tune. Print the music, play the music, mess with it. It’s for having fun with.

The first tune is one of the oldest, a jig written on the concertina in the early 1980s.  Because it’s a concertina tune, it presents a certain challenge on the fiddle. Continue reading

Remember This

Weeping Willow and Loansome Hart left photographs of themselves inside a banjo ukulele, as a gentle "Remember Us."

Weeping Willow and Loansome Hart left photographs of themselves inside a banjo ukulele, as a gentle “Remember Us.”

My family has long had a close relationship to the making of music. If you go back far enough in my mother’s family, we were probably connected to the German composer of operas and organ music, Johann Georg Kühnhausen, whose Matthäus-Passion (Saint Matthew’s Passion) is still occasionally performed. But for the most part, we played much more informally.

My father and several of his buddies toured around Eastern Washington in the 1930s and 1940s, playing dances in little towns like Othello and White Bluffs as the Five Jives. Two of his brothers were members of a long-lasting semi-professional band that formed under Steve Laughery in Moses Lake and which continued to tour the west after Laughery died in a landslide. The memory of these bands survive in some of the artifacts we still possess, some sheet music inscribed with “Five Jives” and a couple of vinyl albums from the Many Sounds of Nine, my uncles’ band. I have written before about the old violin my father used to play, passed on to him from one of my mother’s uncles. I use it to play dance music in a couple of contra-dance bands in Northwestern Washington now.

There are no markings on the instrument to indicate how old it it. The name "Elton" is stamped on the metal resonator ring.

There are no markings on the instrument to indicate how old it it. The name “Elton” is stamped on the metal resonator ring.

Last month I found a very interesting instrument, seemingly meant for me. It had a peculiar back story and it fit a special niche in a musician’s repertoire. For there will always be a time when you want to create the most annoying sound you can musically make. In this case, with a banjo ukulele. Continue reading

All the Warning We’ll Get

The Saddle Mountain Fault scenario envisions an 87-mile long failure of the fault.

The Saddle Mountain Fault scenario envisions an 87-mile long failure of the fault.

There was a small earthquake centered on Frenchman Hill one day around 1972. When an earthquake scientist from the University of Washington called Othello High School to look for a reliable  student to tend to a helicorder they were setting up at the epicenter, they ended up talking to my mother, the counselor. I was 16, and I had just gotten my driver’s license. She told them she had a perfect match for them.

So my second job off the home place (the first one was changing sprinklers for my neighbor) was visiting a tiny trailer parked next to a plowed field overlooking the Lower Crab Creek valley and the ancient massive slide on the north face of Saddle Mountain. Six seismographs fed streams of data to a series of heated needles that recorded every tremble of the earth around the trailer. I had to changed the waxed paper they burned their message onto once a day and then put in a phone call to Colorado to calibrate the clock with the National Bureau of Standards.

Although I didn’t know it at the time, this must have been a heady period for earthquake scientists in the Northwest. Endorsement of the theory of plate tectonics was in its infancy. Continue reading